Mark


Bogotá, Colombia


In Pablo Baresch’s work, the body appears subjected to forces that render unpredictible the boundaries between the human, the animal, and the landscape. His hybrid figures inhabit a threshold between the natural and the imagined, driven by a desire to merge with the earth and surrender to processes of transformation that exceed their own will. Marked by a constant tension between contemplation and violence, they emerge as ambiguous presences that challenge any fixed notion of identity and suggest a porous, ghostly mode of existence.

His work draws on ancient allegories, religious iconography, and the experience of the landscape he has inhabited since childhood. These references converge into a personal mythology in which bodies, animals, and nature  form a symbolic constellation sustained by mutual dependence.

Drawing constitutes the core of his practice. The immediacy of the medium allows him to construct a fiction of dynamic lines and fractured forms that accompany the movement of ideas from their emergence to their materialization. In contrast, painting introduces a different temporality. Bodies acquire a silent, sculptural presence, settling into the landscape like icons upon which time and the environment leave their mark. Between observation and mystery, both mediums seek to approach that which remains concealed, revealing a reality in which the visible and the invisible coexist in suspension.

Education
2018, BFA in Fine Arts, Universidad Nacional de Colombia, Bogotá, Colombia

Grants and Awards
2022, Recipient of the Young Artists Creation Grant, Ministerio de Cultura, Colombia

Solo Exhibitions
2026, Primero fue el pantano, NADA, Bogotá, Colombia
2024, Canción Pastoral, Paisaje, Bogotá, Colombia
2022, Ejercicios Espirituales, Espacio Odeón, Bogotá, Colombia

Group Exhibitions
2026, Quince años Espacio Odeón, Miles de veces, Bogotá, Colombia
2025, Ghosts, Turbina, Bogotá, Colombia – Budapest Bridge Exhibition, Budapest, Hungary
2025, Pensamiento, Palabra, Obra y Omisión, Virreina / Hooogar, Art Week Guadalajara, Mexico
2024, Vampirismos, Sala de Proyectos, Universidad de los Andes, Bogotá, Colombia
2024, La Finca de Hoy, Virreina, Espacio Continuo Gallery, Bogotá, Colombia
2023, Lingering Bodies, curated by MSD, Espacio Odeón, Bogotá, Colombia – with Bravenewwworld
2023, Arte Joven, Galería Nueveochenta, Bogotá, Colombia
2023, Lejanías, Essex Art Center, Lawrence, MA, United States
2022, Pretextos, Ñan Culture House, Lima, Peru
2022, Ahora y en la Hora del Vacío, SKETCH, Bogotá, Colombia
2021, Almas, Montreal, Canada
2021, Lo Que Toca, Artecamara, ARTBO, Galería Santa Fe, Bogotá, Colombia
2021, Wild Hair, Apothek Lab, Wuppertal, Germany
2021, No Hay Monte Sin Sol, La Vulcanizadora, Galería Santa Fe, Bogotá, Colombia
2021, No Hay Monte Sin Sol, La Vulcanizadora, Cinemateca Distrital, Bogotá, Colombia
2020, 100 Culottes, Paris, France
2018, XXXVII Exposición del Proyecto de Grado Gustavo Zalamea, Universidad Nacional de Colombia, Bogotá, Colombia
2017, Hustler, Miami, Bogotá, Colombia
2016, Situaciones en Suma, Laboratorio Cano, Museo de la Universidad Nacional, Bogotá, Colombia
2016, Modelos de la Academia, Galería El Garaje, Bogotá, Colombia

Publications
2026, Primero fue el pantano, edited by Jardín
2022, Tejiendo la Red, Galería SKETCH, funded by IDARTES and the Ministerio de Cultura, Bogotá, Colombia
2021, El Malpensante, Issue 228, illustration for the poem Duda Teológica by Amalia Moreno
2019, Libro Hilo, Revista Exclama, Saint & Bloody, editorial for Elmundo by Faber Franco
2018, La Carne, self-published undergraduate thesis

Residencies
2023, Virreina, Eternally Yours <3, Parcela – Virtual Residency